Welcome friends! This is the production blog of the Little Songs of Long Ago film project! Check back often for updates, sneak peeks and dates for special events! I’m Lamont and I feel kind of like a Dr. Seuss character with all the hats I’m wearing for this thing. I’m directing, producing, writing and animating. Thankfully I’m not alone. Jazz musician and good friend Michael Mavilia is co-producing and directing the music (he’ll also post here with updates). We’ve also formed a studio around this little film, Studio Luke 15. Once this film is done, be sure to look for more in the future.
This is truly one of those projects that started when a couple of friends sat around and said “You know… we really should do that one day”. Thanks to a little faith and determination, not only has it begun, but we’ve got enough traction to comfortably start fundraising. Here’s what we’ve got so far… and I’ll tell you from the perspective of my hats.
Producer
I knew that I would gain a wealth of knowledge from this experience, but I had no idea how much. Here’s a bit of wisdom: Gaining permission rights is HARD! Wow… At first, we wanted to create a short film based on In The Night Kitchen by Maurice Sendak… kind of riding the wave of the Where the Wild Things Are movie, you know? We were contacted by Mr. Sendak’s personal assistant and unfortunately, he couldn’t help us, and our prayers are with him. We sought other properties until I threw my hands up and looked to the public domain. That’s when I found Little Songs of Long Ago. It is a songbook from 1914 by Alfred Moffat. A good part of Mike’s work was done with this choice… it’s a songbook! The basic melodies for him to work with are already there. However, it would mean a lot of work for me, as there is no “story”… just a collection of little songs about various characters and events. That would mean a completely original screenplay from me. I’m really excited about it, and I’ll talk a little about it under the Writer hat.
So, as soon as we found the fun property that we could legally use, it became time to start “making it rain” and getting this film made. Here’s some quick mentionables of what we’ve got so far:
· We talked with Mary Kathryn Severin of The Virginia Film Commission and got some valuable insight. With their help, we’ll be more equipped to launch the film locally and gain some “grass roots” support. Thanks Ms. Severin!
· We’re a member of the Washington D.C. chapter of the Animation Co-op. With their help, we were able to contact Frank Lunn and get some great legal advice. Thanks again Mr. Kevin Geiger, Mr. Frank Lunn, and Ms. Sharvonique Fortune!
· This is a low budget film, but as every film producer knows, you’ve got to fund the budget you have. Thank God for my background in sales. Without giving away all our strategies, here’s some of highlights of what we’ve got going on as far as funding:
o One thing I really didn’t want to do is approach investors and talk about possible gain and possible risk. We want investors to feel comfortable with helping us. So, instead of offering empty promises, we’re offering investors something tangible… a tax break. We are applying for fiscal sponsorship with Fractured Atlas, which means that any donations to the project will be tax deductable. Isn’t that nifty?
o We are working with the Amazement Square children’s museum. Not only will the film premiere at the museum, but we will work with their educational department to develop workshops on art, music and animation based on the film. With Amazement Square and fiscal sponsorship, we qualify for certain grants, plus we’ll get an awesome premiere for the film, some great exposure and give something unique and educational to the community. Thanks Melissa!
o We need to get the word out to potential donors about our opportunity. So, we need a fundraising trailer to post all over the web. The details of it are a secret right now, but let’s just say that we’ve got a surprise that will turn every animator green with envy. Thanks again Heidi! You SO earned that producer credit!
· Every year, Lynchburg, Virginia (where we are!) hosts a large cultural event called Kaleidoscope that lasts an entire month. The largest part of that event is Day In The Park, which is held in Miller Park in September. The larger industries and organizations in the region will have booths with free stuff and games for kids. Special thanks to Jennie Jacobs. Thanks to her, Little Songs of Long Ago will have a promotional booth at this huge local event. I’ve got a lot of ideas, thanks to my experience with SCAD’s Sidewalk Arts Festival. Check back for pictures!
· We’re also members of the Young Professionals of Central Virginia. We are honored to be part of an organization with the best and brightest in the region.
· Yeah, yeah… we need to register as members of ASIFA-East. It’s on my list.
Right now, the film is intended for film festivals and the Internet. Other than locally and the festivals, we have no plans for distribution, but we’re open if anyone wants to sit and talk with us. If you are interested in donating to the project, we will soon post a link for you to do so.
Director / Animator
We don’t want to reveal too much yet, as we’re just in pre-production… only that the film is going to be about friendship and acceptance. We’ve got the first draft of the treatment of the film completed as well as the design of the main characters completed. It will be animated with Flash and Toonboom. We’ll use 3D animation as the story needs it. Mike is handling the music, and he will provide posts about that.
I’ve been blessed with a fantastic team. Thanks to Carl “Bam” Blackmon for lending a hand with animation and our program with Amazement Square and thanks to my old college buddy Brian Oakley for offering help as well, as well as my old high school friend and comic book legend Val Staples.
Writer
Like I mentioned earlier, this project would require a completely original story from me. I haven’t done anything like this since I won those “Awards for Achievement” in the National Written and Illustrated By… Awards Contest for Students in high school. That was a long time ago, so I’m really psyched to write again. Here’s a sneak peak from the treatment:
Joan hides behind a corner, heaving her breath from running. She leans against the wall and slides to her knees crying. She feels that coming to the fair was a mistake, and it seemed hopeless that she would ever find a friend. All around her, yellow eyes appear and watch her cry from the shadows. When Joan looks up, the eyes disappear, but a little cat is sitting right in front of her. The cat stares and seems to look right through her. At first, Joan thinks that the cat wouldn’t want to be her friend either. It soon becomes obvious that the cat isn’t leaving. The yellow eyes return as Joan accepts that the cat is her friend and picks it up. She heads back to the fair, confident that she’s found a new friend.
As we approach production, we’ll post some character design and some more story sneak peeks, and Mike should offer up some posts on his approach to the music.
Thanks for stopping by. We’ll keep you informed as we go along!